Build the basics
A technique session with an open-string warm-up, arpeggios, a scale, slurs, finger placement, tone and short barres.
Daily practice
Choose the time you have. Give it a clear purpose. The listed durations include the planned breaks.
A useful classical guitar practice routine starts with the time you actually have. Choose a session you can finish attentively, including its breaks. A longer routine gives you room for more kinds of work, but it does not make every repetition more useful. One clear goal in a short session can be easier to carry into the next day.
The seven routines below reflect the app’s programme structure. Twenty minutes is a technique session. From thirty minutes onward, you also spend time on a phrase from your current piece. Longer options add room for studies, listening, free playing and review. Their displayed durations already include the planned breaks.
During technique work, listen for one quality: an even arpeggio, a clean pull-off or a change of position that preserves the preceding note. During repertoire work, take that quality back into the exact passage that needs it. The exercise prepares the movement; the piece shows whether it works in context.
Free playing serves a different purpose. Let a short section continue without stopping at every imperfection, then make a note of the most useful correction. Constantly interrupting yourself can hide how a phrase sounds over time.
Before putting the guitar away, write the phrase, tempo and one observation. “Keep the melody ringing through the shift” is more useful than “practise harder”. On the seventh day, the programme places more emphasis on review, playing and a short recording. Use that change of pace to decide what deserves attention in the coming week.
Choose your routine in the app settings. Its interface includes an English language option, so the session instructions and your practice tools can follow the same language as these guides.
A technique session with an open-string warm-up, arpeggios, a scale, slurs, finger placement, tone and short barres.
Technical practice followed by eight minutes working on one phrase from your current piece.
Technical work, thirteen minutes on your piece and five minutes of free playing.
Technique, a break, phrase practice, listening and playing. Tremolo joins the technical work.
Technique, two breaks, your piece, a study, listening and free playing. Give each block one clear purpose.
A limited technique block, repertoire, a study, listening and playing. Breaks are included in the two hours.
A limited technique block, your current piece, a study, listening and a previously learned piece, with several breaks.
The programme eases the technical work, makes room for playing and suggests a short recording. Choose one focus for the following week.