Patrones 21–40 de Giuliani
Lee el compás completo en do y en sol séptima antes de encadenar los dos acordes.
| Acorde | Trastes | Dedos de la izquierda |
|---|---|---|
| Do mayor | × · 3 · 2 · 0 · 1 · 0 | × · 3 · 2 · 0 · 1 · 0 |
| Sol 7, posición del PDF de Werner | 3 · 2 · 0 · 0 · 3 · 1 | 3 · 2 · 0 · 0 · 4 · 1 |
0 indica una cuerda al aire; × indica que no se toca. Consulta las posiciones de cada ataque para seguir los bajos móviles.
Los paréntesis agrupan dedos que pulsan a la vez. La primera cuerda es el mi agudo. Cada columna representa un ataque.
Patrón 21
Dos bajos sucesivos, cada uno acompañado de m-a.
(p+m+a) → (p+m+a) → (i) → (p+m+a) → (p+m+a) → (i) → (p+m+a) → (p+m+a) → (i) → (p+m+a) → (p+m+a) → (i)
Doce pulsaciones en cuatro grupos de tres: tresillos de corcheas implícitos en 4/4. Las notas con plica separada se prolongan según la partitura.
| Acorde | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Do | 5/3 + 2/1 + 1/0 | 4/2 + 2/1 + 1/0 | 3/0 | 5/3 + 2/1 + 1/0 | 4/2 + 2/1 + 1/0 | 3/0 | 5/3 + 2/1 + 1/0 | 4/2 + 2/1 + 1/0 | 3/0 | 5/3 + 2/1 + 1/0 | 4/2 + 2/1 + 1/0 | 3/0 |
| Sol7 | 5/2 + 2/3 + 1/1 | 4/0 + 2/3 + 1/1 | 3/0 | 5/2 + 2/3 + 1/1 | 4/0 + 2/3 + 1/1 | 3/0 | 5/2 + 2/3 + 1/1 | 4/0 + 2/3 + 1/1 | 3/0 | 5/2 + 2/3 + 1/1 | 4/0 + 2/3 + 1/1 | 3/0 |
Semana 5 del programa.
Practicar el patrón 21Patrón 22
Acorde agudo en la segunda y tercera pulsaciones.
(p) → (p+m+a) → (i+m+a) → (p) → (p+m+a) → (i+m+a) → (p) → (p+m+a) → (i+m+a) → (p) → (p+m+a) → (i+m+a)
Doce pulsaciones en cuatro grupos de tres: tresillos de corcheas implícitos en 4/4. Las notas con plica separada se prolongan según la partitura.
| Acorde | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Do | 5/3 | 4/2 + 2/1 + 1/0 | 3/0 + 2/1 + 1/0 | 5/3 | 4/2 + 2/1 + 1/0 | 3/0 + 2/1 + 1/0 | 5/3 | 4/2 + 2/1 + 1/0 | 3/0 + 2/1 + 1/0 | 5/3 | 4/2 + 2/1 + 1/0 | 3/0 + 2/1 + 1/0 |
| Sol7 | 5/2 | 4/0 + 2/3 + 1/1 | 3/0 + 2/3 + 1/1 | 5/2 | 4/0 + 2/3 + 1/1 | 3/0 + 2/3 + 1/1 | 5/2 | 4/0 + 2/3 + 1/1 | 3/0 + 2/3 + 1/1 | 5/2 | 4/0 + 2/3 + 1/1 | 3/0 + 2/3 + 1/1 |
Semana 5 del programa.
Practicar el patrón 22Patrón 23
Acorde agudo en la primera y tercera pulsaciones.
(p+m+a) → (p) → (i+m+a) → (p+m+a) → (p) → (i+m+a) → (p+m+a) → (p) → (i+m+a) → (p+m+a) → (p) → (i+m+a)
Doce pulsaciones en cuatro grupos de tres: tresillos de corcheas implícitos en 4/4. Las notas con plica separada se prolongan según la partitura.
| Acorde | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Do | 5/3 + 2/1 + 1/0 | 4/2 | 3/0 + 2/1 + 1/0 | 5/3 + 2/1 + 1/0 | 4/2 | 3/0 + 2/1 + 1/0 | 5/3 + 2/1 + 1/0 | 4/2 | 3/0 + 2/1 + 1/0 | 5/3 + 2/1 + 1/0 | 4/2 | 3/0 + 2/1 + 1/0 |
| Sol7 | 5/2 + 2/3 + 1/1 | 4/0 | 3/0 + 2/3 + 1/1 | 5/2 + 2/3 + 1/1 | 4/0 | 3/0 + 2/3 + 1/1 | 5/2 + 2/3 + 1/1 | 4/0 | 3/0 + 2/3 + 1/1 | 5/2 + 2/3 + 1/1 | 4/0 | 3/0 + 2/3 + 1/1 |
Semana 5 del programa.
Practicar el patrón 23Patrón 24
Dos bajos sucesivos bajo acordes agudos repetidos.
(p+m+a) → (p+m+a) → (i+m+a) → (p+m+a) → (p+m+a) → (i+m+a) → (p+m+a) → (p+m+a) → (i+m+a) → (p+m+a) → (p+m+a) → (i+m+a)
Doce pulsaciones en cuatro grupos de tres: tresillos de corcheas implícitos en 4/4. Las notas con plica separada se prolongan según la partitura.
| Acorde | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Do | 5/3 + 2/1 + 1/0 | 4/2 + 2/1 + 1/0 | 3/0 + 2/1 + 1/0 | 5/3 + 2/1 + 1/0 | 4/2 + 2/1 + 1/0 | 3/0 + 2/1 + 1/0 | 5/3 + 2/1 + 1/0 | 4/2 + 2/1 + 1/0 | 3/0 + 2/1 + 1/0 | 5/3 + 2/1 + 1/0 | 4/2 + 2/1 + 1/0 | 3/0 + 2/1 + 1/0 |
| Sol7 | 5/2 + 2/3 + 1/1 | 4/0 + 2/3 + 1/1 | 3/0 + 2/3 + 1/1 | 5/2 + 2/3 + 1/1 | 4/0 + 2/3 + 1/1 | 3/0 + 2/3 + 1/1 | 5/2 + 2/3 + 1/1 | 4/0 + 2/3 + 1/1 | 3/0 + 2/3 + 1/1 | 5/2 + 2/3 + 1/1 | 4/0 + 2/3 + 1/1 | 3/0 + 2/3 + 1/1 |
Semana 5 del programa.
Practicar el patrón 24Patrón 25
Pulgar entre dos retornos del índice.
(p) → (i) → (m) → (i) → (p) → (i) → (p) → (i) → (m) → (i) → (p) → (i) → (p) → (i) → (m) → (i) → (p) → (i) → (p) → (i) → (m) → (i) → (p) → (i)
Veinticuatro pulsaciones en cuatro grupos de seis: seisillos de semicorcheas implícitos en 4/4. Las notas con plica separada se prolongan según la partitura.
| Acorde | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Do | 5/3 | 2/1 | 1/0 | 2/1 | 3/0 | 2/1 | 4/2 | 2/1 | 1/0 | 2/1 | 3/0 | 2/1 | 5/3 | 2/1 | 1/0 | 2/1 | 3/0 | 2/1 | 4/2 | 2/1 | 1/0 | 2/1 | 3/0 | 2/1 |
| Sol7 | 5/2 | 2/3 | 1/1 | 2/3 | 3/0 | 2/3 | 4/0 | 2/3 | 1/1 | 2/3 | 3/0 | 2/3 | 5/2 | 2/3 | 1/1 | 2/3 | 3/0 | 2/3 | 4/0 | 2/3 | 1/1 | 2/3 | 3/0 | 2/3 |
Semana 5 del programa.
Practicar el patrón 25Patrón 26
Alternancia m-i alrededor de dos intervenciones del pulgar.
(p) → (m) → (i) → (m) → (p) → (i) → (p) → (m) → (i) → (m) → (p) → (i) → (p) → (m) → (i) → (m) → (p) → (i) → (p) → (m) → (i) → (m) → (p) → (i)
Veinticuatro pulsaciones en cuatro grupos de seis: seisillos de semicorcheas implícitos en 4/4. Las notas con plica separada se prolongan según la partitura.
| Acorde | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Do | 5/3 | 1/0 | 2/1 | 1/0 | 3/0 | 2/1 | 4/2 | 1/0 | 2/1 | 1/0 | 3/0 | 2/1 | 5/3 | 1/0 | 2/1 | 1/0 | 3/0 | 2/1 | 4/2 | 1/0 | 2/1 | 1/0 | 3/0 | 2/1 |
| Sol7 | 5/2 | 1/1 | 2/3 | 1/1 | 3/0 | 2/3 | 4/0 | 1/1 | 2/3 | 1/1 | 3/0 | 2/3 | 5/2 | 1/1 | 2/3 | 1/1 | 3/0 | 2/3 | 4/0 | 1/1 | 2/3 | 1/1 | 3/0 | 2/3 |
Semana 6 del programa.
Practicar el patrón 26Patrón 27
Desplazamiento del patrón hacia las cuerdas agudas.
(p) → (i) → (p) → (i) → (m) → (i) → (p) → (m) → (i) → (m) → (a) → (m) → (p) → (i) → (p) → (i) → (m) → (i) → (p) → (m) → (i) → (m) → (a) → (m)
Veinticuatro pulsaciones en cuatro grupos de seis: seisillos de semicorcheas implícitos en 4/4. Las notas con plica separada se prolongan según la partitura.
| Acorde | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Do | 5/3 | 3/0 | 4/2 | 3/0 | 2/1 | 3/0 | 4/2 | 2/1 | 3/0 | 2/1 | 1/0 | 2/1 | 5/3 | 3/0 | 4/2 | 3/0 | 2/1 | 3/0 | 4/2 | 2/1 | 3/0 | 2/1 | 1/0 | 2/1 |
| Sol7 | 5/2 | 3/0 | 4/0 | 3/0 | 2/3 | 3/0 | 4/0 | 2/3 | 3/0 | 2/3 | 1/1 | 2/3 | 5/2 | 3/0 | 4/0 | 3/0 | 2/3 | 3/0 | 4/0 | 2/3 | 3/0 | 2/3 | 1/1 | 2/3 |
Semana 6 del programa.
Practicar el patrón 27Patrón 28
Saltos del índice al anular y después al medio.
(p) → (i) → (a) → (i) → (m) → (i) → (p) → (i) → (a) → (i) → (m) → (i) → (p) → (i) → (a) → (i) → (m) → (i) → (p) → (i) → (a) → (i) → (m) → (i)
Veinticuatro pulsaciones en cuatro grupos de seis: seisillos de semicorcheas implícitos en 4/4. Las notas con plica separada se prolongan según la partitura.
| Acorde | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Do | 5/3 | 3/0 | 1/0 | 3/0 | 2/1 | 3/0 | 4/2 | 3/0 | 1/0 | 3/0 | 2/1 | 3/0 | 5/3 | 3/0 | 1/0 | 3/0 | 2/1 | 3/0 | 4/2 | 3/0 | 1/0 | 3/0 | 2/1 | 3/0 |
| Sol7 | 5/2 | 3/0 | 1/1 | 3/0 | 2/3 | 3/0 | 4/0 | 3/0 | 1/1 | 3/0 | 2/3 | 3/0 | 5/2 | 3/0 | 1/1 | 3/0 | 2/3 | 3/0 | 4/0 | 3/0 | 1/1 | 3/0 | 2/3 | 3/0 |
Semana 6 del programa.
Practicar el patrón 28Patrón 29
Saltos del índice al medio y después al anular.
(p) → (i) → (m) → (i) → (a) → (i) → (p) → (i) → (m) → (i) → (a) → (i) → (p) → (i) → (m) → (i) → (a) → (i) → (p) → (i) → (m) → (i) → (a) → (i)
Veinticuatro pulsaciones en cuatro grupos de seis: seisillos de semicorcheas implícitos en 4/4. Las notas con plica separada se prolongan según la partitura.
| Acorde | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Do | 5/3 | 3/0 | 2/1 | 3/0 | 1/0 | 3/0 | 4/2 | 3/0 | 2/1 | 3/0 | 1/0 | 3/0 | 5/3 | 3/0 | 2/1 | 3/0 | 1/0 | 3/0 | 4/2 | 3/0 | 2/1 | 3/0 | 1/0 | 3/0 |
| Sol7 | 5/2 | 3/0 | 2/3 | 3/0 | 1/1 | 3/0 | 4/0 | 3/0 | 2/3 | 3/0 | 1/1 | 3/0 | 5/2 | 3/0 | 2/3 | 3/0 | 1/1 | 3/0 | 4/0 | 3/0 | 2/3 | 3/0 | 1/1 | 3/0 |
Semana 6 del programa.
Practicar el patrón 29Patrón 30
Dos recorridos distintos con cuatro intervenciones del pulgar.
(p) → (i) → (p) → (m) → (i) → (a) → (p) → (a) → (i) → (m) → (p) → (i) → (p) → (i) → (p) → (m) → (i) → (a) → (p) → (a) → (i) → (m) → (p) → (i)
Veinticuatro pulsaciones en cuatro grupos de seis: seisillos de semicorcheas implícitos en 4/4. Las notas con plica separada se prolongan según la partitura.
| Acorde | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Do | 5/3 | 3/0 | 4/2 | 2/1 | 3/0 | 1/0 | 5/3 | 1/0 | 3/0 | 2/1 | 4/2 | 3/0 | 5/3 | 3/0 | 4/2 | 2/1 | 3/0 | 1/0 | 5/3 | 1/0 | 3/0 | 2/1 | 4/2 | 3/0 |
| Sol7 | 5/2 | 3/0 | 4/0 | 2/3 | 3/0 | 1/1 | 5/2 | 1/1 | 3/0 | 2/3 | 4/0 | 3/0 | 5/2 | 3/0 | 4/0 | 2/3 | 3/0 | 1/1 | 5/2 | 1/1 | 3/0 | 2/3 | 4/0 | 3/0 |
Semana 6 del programa.
Practicar el patrón 30Patrón 31
Subida y después bajada de los tres dedos.
(p) → (i) → (m) → (a) → (m) → (i) → (p) → (i) → (m) → (a) → (m) → (i) → (p) → (i) → (m) → (a) → (m) → (i) → (p) → (i) → (m) → (a) → (m) → (i)
Veinticuatro pulsaciones en cuatro grupos de seis: seisillos de semicorcheas implícitos en 4/4. Las notas con plica separada se prolongan según la partitura.
| Acorde | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Do | 5/3 | 3/0 | 2/1 | 1/0 | 2/1 | 3/0 | 4/2 | 3/0 | 2/1 | 1/0 | 2/1 | 3/0 | 5/3 | 3/0 | 2/1 | 1/0 | 2/1 | 3/0 | 4/2 | 3/0 | 2/1 | 1/0 | 2/1 | 3/0 |
| Sol7 | 5/2 | 3/0 | 2/3 | 1/1 | 2/3 | 3/0 | 4/0 | 3/0 | 2/3 | 1/1 | 2/3 | 3/0 | 5/2 | 3/0 | 2/3 | 1/1 | 2/3 | 3/0 | 4/0 | 3/0 | 2/3 | 1/1 | 2/3 | 3/0 |
Semana 7 del programa.
Practicar el patrón 31Patrón 32
Bajada y después subida de los tres dedos.
(p) → (a) → (m) → (i) → (m) → (a) → (p) → (a) → (m) → (i) → (m) → (a) → (p) → (a) → (m) → (i) → (m) → (a) → (p) → (a) → (m) → (i) → (m) → (a)
Veinticuatro pulsaciones en cuatro grupos de seis: seisillos de semicorcheas implícitos en 4/4. Las notas con plica separada se prolongan según la partitura.
| Acorde | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Do | 5/3 | 1/0 | 2/1 | 3/0 | 2/1 | 1/0 | 4/2 | 1/0 | 2/1 | 3/0 | 2/1 | 1/0 | 5/3 | 1/0 | 2/1 | 3/0 | 2/1 | 1/0 | 4/2 | 1/0 | 2/1 | 3/0 | 2/1 | 1/0 |
| Sol7 | 5/2 | 1/1 | 2/3 | 3/0 | 2/3 | 1/1 | 4/0 | 1/1 | 2/3 | 3/0 | 2/3 | 1/1 | 5/2 | 1/1 | 2/3 | 3/0 | 2/3 | 1/1 | 4/0 | 1/1 | 2/3 | 3/0 | 2/3 | 1/1 |
Semana 7 del programa.
Practicar el patrón 32Patrón 33
Dos grupos de tres, con a y después m.
(p) → (i) → (a) → (p) → (i) → (m) → (p) → (i) → (a) → (p) → (i) → (m) → (p) → (i) → (a) → (p) → (i) → (m) → (p) → (i) → (a) → (p) → (i) → (m)
Veinticuatro pulsaciones en cuatro grupos de seis: seisillos de semicorcheas implícitos en 4/4. Las notas con plica separada se prolongan según la partitura.
| Acorde | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Do | 5/3 | 3/0 | 1/0 | 4/2 | 3/0 | 2/1 | 5/3 | 3/0 | 1/0 | 4/2 | 3/0 | 2/1 | 5/3 | 3/0 | 1/0 | 4/2 | 3/0 | 2/1 | 5/3 | 3/0 | 1/0 | 4/2 | 3/0 | 2/1 |
| Sol7 | 5/2 | 3/0 | 1/1 | 4/0 | 3/0 | 2/3 | 5/2 | 3/0 | 1/1 | 4/0 | 3/0 | 2/3 | 5/2 | 3/0 | 1/1 | 4/0 | 3/0 | 2/3 | 5/2 | 3/0 | 1/1 | 4/0 | 3/0 | 2/3 |
Semana 7 del programa.
Practicar el patrón 33Patrón 34
Pulgar repetido y desplazamiento del grupo i-m-a.
(p) → (i) → (p) → (i) → (m) → (a) → (p) → (i) → (p) → (i) → (m) → (a) → (p) → (i) → (p) → (i) → (m) → (a) → (p) → (i) → (p) → (i) → (m) → (a)
Veinticuatro pulsaciones en cuatro grupos de seis: seisillos de semicorcheas implícitos en 4/4. Las notas con plica separada se prolongan según la partitura.
| Acorde | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Do | 5/3 | 4/2 | 5/3 | 4/2 | 3/0 | 2/1 | 4/2 | 3/0 | 4/2 | 3/0 | 2/1 | 1/0 | 5/3 | 4/2 | 5/3 | 4/2 | 3/0 | 2/1 | 4/2 | 3/0 | 4/2 | 3/0 | 2/1 | 1/0 |
| Sol7 | 5/2 | 4/0 | 5/2 | 4/0 | 3/0 | 2/3 | 4/0 | 3/0 | 4/0 | 3/0 | 2/3 | 1/1 | 5/2 | 4/0 | 5/2 | 4/0 | 3/0 | 2/3 | 4/0 | 3/0 | 4/0 | 3/0 | 2/3 | 1/1 |
Semana 7 del programa.
Practicar el patrón 34Patrón 35
Dos idas y vueltas a-m y después retorno del índice.
(p) → (a) → (m) → (a) → (m) → (i) → (p) → (a) → (m) → (a) → (m) → (i) → (p) → (a) → (m) → (a) → (m) → (i) → (p) → (a) → (m) → (a) → (m) → (i)
Veinticuatro pulsaciones en cuatro grupos de seis: seisillos de semicorcheas implícitos en 4/4. Las notas con plica separada se prolongan según la partitura.
| Acorde | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Do | 5/3 | 1/0 | 2/1 | 1/0 | 2/1 | 3/0 | 4/2 | 1/0 | 2/1 | 1/0 | 2/1 | 3/0 | 5/3 | 1/0 | 2/1 | 1/0 | 2/1 | 3/0 | 4/2 | 1/0 | 2/1 | 1/0 | 2/1 | 3/0 |
| Sol7 | 5/2 | 1/1 | 2/3 | 1/1 | 2/3 | 3/0 | 4/0 | 1/1 | 2/3 | 1/1 | 2/3 | 3/0 | 5/2 | 1/1 | 2/3 | 1/1 | 2/3 | 3/0 | 4/0 | 1/1 | 2/3 | 1/1 | 2/3 | 3/0 |
Semana 7 del programa.
Practicar el patrón 35Patrón 36
Nota aguda con el primer bajo.
(p+m) → (i) → (p) → (i) → (p+m) → (i) → (p) → (i) → (p+m) → (i) → (p) → (i) → (p+m) → (i) → (p) → (i)
Dieciséis pulsaciones en cuatro grupos de cuatro semicorcheas, en 4/4. Las notas con plica separada se prolongan según la partitura.
| Acorde | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Do | 5/3 + 1/0 | 3/0 | 4/2 | 3/0 | 5/3 + 1/0 | 3/0 | 4/2 | 3/0 | 5/3 + 1/0 | 3/0 | 4/2 | 3/0 | 5/3 + 1/0 | 3/0 | 4/2 | 3/0 |
| Sol7 | 5/2 + 1/1 | 3/0 | 4/0 | 3/0 | 5/2 + 1/1 | 3/0 | 4/0 | 3/0 | 5/2 + 1/1 | 3/0 | 4/0 | 3/0 | 5/2 + 1/1 | 3/0 | 4/0 | 3/0 |
Semana 8 del programa.
Practicar el patrón 36Patrón 37
Nota aguda con el primer índice.
(p) → (i+m) → (p) → (i) → (p) → (i+m) → (p) → (i) → (p) → (i+m) → (p) → (i) → (p) → (i+m) → (p) → (i)
Dieciséis pulsaciones en cuatro grupos de cuatro semicorcheas, en 4/4. Las notas con plica separada se prolongan según la partitura.
| Acorde | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Do | 5/3 | 3/0 + 1/0 | 4/2 | 3/0 | 5/3 | 3/0 + 1/0 | 4/2 | 3/0 | 5/3 | 3/0 + 1/0 | 4/2 | 3/0 | 5/3 | 3/0 + 1/0 | 4/2 | 3/0 |
| Sol7 | 5/2 | 3/0 + 1/1 | 4/0 | 3/0 | 5/2 | 3/0 + 1/1 | 4/0 | 3/0 | 5/2 | 3/0 + 1/1 | 4/0 | 3/0 | 5/2 | 3/0 + 1/1 | 4/0 | 3/0 |
Semana 8 del programa.
Practicar el patrón 37Patrón 38
Nota aguda con el segundo bajo.
(p) → (i) → (p+m) → (i) → (p) → (i) → (p+m) → (i) → (p) → (i) → (p+m) → (i) → (p) → (i) → (p+m) → (i)
Dieciséis pulsaciones en cuatro grupos de cuatro semicorcheas, en 4/4. Las notas con plica separada se prolongan según la partitura.
| Acorde | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Do | 5/3 | 3/0 | 4/2 + 1/0 | 3/0 | 5/3 | 3/0 | 4/2 + 1/0 | 3/0 | 5/3 | 3/0 | 4/2 + 1/0 | 3/0 | 5/3 | 3/0 | 4/2 + 1/0 | 3/0 |
| Sol7 | 5/2 | 3/0 | 4/0 + 1/1 | 3/0 | 5/2 | 3/0 | 4/0 + 1/1 | 3/0 | 5/2 | 3/0 | 4/0 + 1/1 | 3/0 | 5/2 | 3/0 | 4/0 + 1/1 | 3/0 |
Semana 8 del programa.
Practicar el patrón 38Patrón 39
Nota aguda con el segundo índice.
(p) → (i) → (p) → (i+m) → (p) → (i) → (p) → (i+m) → (p) → (i) → (p) → (i+m) → (p) → (i) → (p) → (i+m)
Dieciséis pulsaciones en cuatro grupos de cuatro semicorcheas, en 4/4. Las notas con plica separada se prolongan según la partitura.
| Acorde | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Do | 5/3 | 3/0 | 4/2 | 3/0 + 1/0 | 5/3 | 3/0 | 4/2 | 3/0 + 1/0 | 5/3 | 3/0 | 4/2 | 3/0 + 1/0 | 5/3 | 3/0 | 4/2 | 3/0 + 1/0 |
| Sol7 | 5/2 | 3/0 | 4/0 | 3/0 + 1/1 | 5/2 | 3/0 | 4/0 | 3/0 + 1/1 | 5/2 | 3/0 | 4/0 | 3/0 + 1/1 | 5/2 | 3/0 | 4/0 | 3/0 + 1/1 |
Semana 8 del programa.
Practicar el patrón 39Patrón 40
Dos pulsaciones sucesivas del medio en la misma cuerda.
(p+m) → (i+m) → (p) → (i) → (p+m) → (i+m) → (p) → (i) → (p+m) → (i+m) → (p) → (i) → (p+m) → (i+m) → (p) → (i)
Dieciséis pulsaciones en cuatro grupos de cuatro semicorcheas, en 4/4. Las notas con plica separada se prolongan según la partitura.
| Acorde | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Do | 5/3 + 1/0 | 3/0 + 1/0 | 4/2 | 3/0 | 5/3 + 1/0 | 3/0 + 1/0 | 4/2 | 3/0 | 5/3 + 1/0 | 3/0 + 1/0 | 4/2 | 3/0 | 5/3 + 1/0 | 3/0 + 1/0 | 4/2 | 3/0 |
| Sol7 | 5/2 + 1/1 | 3/0 + 1/1 | 4/0 | 3/0 | 5/2 + 1/1 | 3/0 + 1/1 | 4/0 | 3/0 | 5/2 + 1/1 | 3/0 + 1/1 | 4/0 | 3/0 | 5/2 + 1/1 | 3/0 + 1/1 | 4/0 | 3/0 |
Semana 8 del programa.
Practicar el patrón 40