Patterns 21–40: the next steps
Read one pattern, prepare its strings and listen for the same balance on both chords.
| Chord | Strings 6 → 1: frets | Left-hand fingers 6 → 1 |
|---|---|---|
| C major | × · 3 · 2 · 0 · 1 · 0 | × · 3 · 2 · 0 · 1 · 0 |
| G7, position from Werner's PDF | 3 · 2 · 0 · 0 · 3 · 1 | 3 · 2 · 0 · 0 · 4 · 1 |
0 = open string; × = string not played. Follow the frets for each attack below: the bass and some chord positions change with the pattern.
Parentheses mean simultaneous attacks. String 1 is high E. Each column is one attack; string/fret pairs follow the indicated fingers.
Pattern 21
Two successive bass notes, each accompanied by m-a.
(p+m+a) → (p+m+a) → (i) → (p+m+a) → (p+m+a) → (i) → (p+m+a) → (p+m+a) → (i) → (p+m+a) → (p+m+a) → (i)
Twelve attacks in four groups of three: implied eighth-note triplets in 4/4. Notes with separate stems sustain as written in the score.
| Chord | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| C | 5/3 + 2/1 + 1/0 | 4/2 + 2/1 + 1/0 | 3/0 | 5/3 + 2/1 + 1/0 | 4/2 + 2/1 + 1/0 | 3/0 | 5/3 + 2/1 + 1/0 | 4/2 + 2/1 + 1/0 | 3/0 | 5/3 + 2/1 + 1/0 | 4/2 + 2/1 + 1/0 | 3/0 |
| G7 | 5/2 + 2/3 + 1/1 | 4/0 + 2/3 + 1/1 | 3/0 | 5/2 + 2/3 + 1/1 | 4/0 + 2/3 + 1/1 | 3/0 | 5/2 + 2/3 + 1/1 | 4/0 + 2/3 + 1/1 | 3/0 | 5/2 + 2/3 + 1/1 | 4/0 + 2/3 + 1/1 | 3/0 |
Week 5 in the practice schedule.
Practise pattern 21Pattern 22
Treble chord on the second and third attacks.
(p) → (p+m+a) → (i+m+a) → (p) → (p+m+a) → (i+m+a) → (p) → (p+m+a) → (i+m+a) → (p) → (p+m+a) → (i+m+a)
Twelve attacks in four groups of three: implied eighth-note triplets in 4/4. Notes with separate stems sustain as written in the score.
| Chord | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| C | 5/3 | 4/2 + 2/1 + 1/0 | 3/0 + 2/1 + 1/0 | 5/3 | 4/2 + 2/1 + 1/0 | 3/0 + 2/1 + 1/0 | 5/3 | 4/2 + 2/1 + 1/0 | 3/0 + 2/1 + 1/0 | 5/3 | 4/2 + 2/1 + 1/0 | 3/0 + 2/1 + 1/0 |
| G7 | 5/2 | 4/0 + 2/3 + 1/1 | 3/0 + 2/3 + 1/1 | 5/2 | 4/0 + 2/3 + 1/1 | 3/0 + 2/3 + 1/1 | 5/2 | 4/0 + 2/3 + 1/1 | 3/0 + 2/3 + 1/1 | 5/2 | 4/0 + 2/3 + 1/1 | 3/0 + 2/3 + 1/1 |
Week 5 in the practice schedule.
Practise pattern 22Pattern 23
Treble chord on the first and third attacks.
(p+m+a) → (p) → (i+m+a) → (p+m+a) → (p) → (i+m+a) → (p+m+a) → (p) → (i+m+a) → (p+m+a) → (p) → (i+m+a)
Twelve attacks in four groups of three: implied eighth-note triplets in 4/4. Notes with separate stems sustain as written in the score.
| Chord | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| C | 5/3 + 2/1 + 1/0 | 4/2 | 3/0 + 2/1 + 1/0 | 5/3 + 2/1 + 1/0 | 4/2 | 3/0 + 2/1 + 1/0 | 5/3 + 2/1 + 1/0 | 4/2 | 3/0 + 2/1 + 1/0 | 5/3 + 2/1 + 1/0 | 4/2 | 3/0 + 2/1 + 1/0 |
| G7 | 5/2 + 2/3 + 1/1 | 4/0 | 3/0 + 2/3 + 1/1 | 5/2 + 2/3 + 1/1 | 4/0 | 3/0 + 2/3 + 1/1 | 5/2 + 2/3 + 1/1 | 4/0 | 3/0 + 2/3 + 1/1 | 5/2 + 2/3 + 1/1 | 4/0 | 3/0 + 2/3 + 1/1 |
Week 5 in the practice schedule.
Practise pattern 23Pattern 24
Two successive bass notes under repeated treble chords.
(p+m+a) → (p+m+a) → (i+m+a) → (p+m+a) → (p+m+a) → (i+m+a) → (p+m+a) → (p+m+a) → (i+m+a) → (p+m+a) → (p+m+a) → (i+m+a)
Twelve attacks in four groups of three: implied eighth-note triplets in 4/4. Notes with separate stems sustain as written in the score.
| Chord | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| C | 5/3 + 2/1 + 1/0 | 4/2 + 2/1 + 1/0 | 3/0 + 2/1 + 1/0 | 5/3 + 2/1 + 1/0 | 4/2 + 2/1 + 1/0 | 3/0 + 2/1 + 1/0 | 5/3 + 2/1 + 1/0 | 4/2 + 2/1 + 1/0 | 3/0 + 2/1 + 1/0 | 5/3 + 2/1 + 1/0 | 4/2 + 2/1 + 1/0 | 3/0 + 2/1 + 1/0 |
| G7 | 5/2 + 2/3 + 1/1 | 4/0 + 2/3 + 1/1 | 3/0 + 2/3 + 1/1 | 5/2 + 2/3 + 1/1 | 4/0 + 2/3 + 1/1 | 3/0 + 2/3 + 1/1 | 5/2 + 2/3 + 1/1 | 4/0 + 2/3 + 1/1 | 3/0 + 2/3 + 1/1 | 5/2 + 2/3 + 1/1 | 4/0 + 2/3 + 1/1 | 3/0 + 2/3 + 1/1 |
Week 5 in the practice schedule.
Practise pattern 24Pattern 25
Thumb between two returns of the index finger.
(p) → (i) → (m) → (i) → (p) → (i) → (p) → (i) → (m) → (i) → (p) → (i) → (p) → (i) → (m) → (i) → (p) → (i) → (p) → (i) → (m) → (i) → (p) → (i)
Twenty-four attacks in four groups of six: implied sixteenth-note sextuplets in 4/4. Notes with separate stems sustain as written in the score.
| Chord | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| C | 5/3 | 2/1 | 1/0 | 2/1 | 3/0 | 2/1 | 4/2 | 2/1 | 1/0 | 2/1 | 3/0 | 2/1 | 5/3 | 2/1 | 1/0 | 2/1 | 3/0 | 2/1 | 4/2 | 2/1 | 1/0 | 2/1 | 3/0 | 2/1 |
| G7 | 5/2 | 2/3 | 1/1 | 2/3 | 3/0 | 2/3 | 4/0 | 2/3 | 1/1 | 2/3 | 3/0 | 2/3 | 5/2 | 2/3 | 1/1 | 2/3 | 3/0 | 2/3 | 4/0 | 2/3 | 1/1 | 2/3 | 3/0 | 2/3 |
Week 5 in the practice schedule.
Practise pattern 25Pattern 26
m-i alternation around two thumb attacks.
(p) → (m) → (i) → (m) → (p) → (i) → (p) → (m) → (i) → (m) → (p) → (i) → (p) → (m) → (i) → (m) → (p) → (i) → (p) → (m) → (i) → (m) → (p) → (i)
Twenty-four attacks in four groups of six: implied sixteenth-note sextuplets in 4/4. Notes with separate stems sustain as written in the score.
| Chord | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| C | 5/3 | 1/0 | 2/1 | 1/0 | 3/0 | 2/1 | 4/2 | 1/0 | 2/1 | 1/0 | 3/0 | 2/1 | 5/3 | 1/0 | 2/1 | 1/0 | 3/0 | 2/1 | 4/2 | 1/0 | 2/1 | 1/0 | 3/0 | 2/1 |
| G7 | 5/2 | 1/1 | 2/3 | 1/1 | 3/0 | 2/3 | 4/0 | 1/1 | 2/3 | 1/1 | 3/0 | 2/3 | 5/2 | 1/1 | 2/3 | 1/1 | 3/0 | 2/3 | 4/0 | 1/1 | 2/3 | 1/1 | 3/0 | 2/3 |
Week 6 in the practice schedule.
Practise pattern 26Pattern 27
Moving the pattern towards the treble strings.
(p) → (i) → (p) → (i) → (m) → (i) → (p) → (m) → (i) → (m) → (a) → (m) → (p) → (i) → (p) → (i) → (m) → (i) → (p) → (m) → (i) → (m) → (a) → (m)
Twenty-four attacks in four groups of six: implied sixteenth-note sextuplets in 4/4. Notes with separate stems sustain as written in the score.
| Chord | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| C | 5/3 | 3/0 | 4/2 | 3/0 | 2/1 | 3/0 | 4/2 | 2/1 | 3/0 | 2/1 | 1/0 | 2/1 | 5/3 | 3/0 | 4/2 | 3/0 | 2/1 | 3/0 | 4/2 | 2/1 | 3/0 | 2/1 | 1/0 | 2/1 |
| G7 | 5/2 | 3/0 | 4/0 | 3/0 | 2/3 | 3/0 | 4/0 | 2/3 | 3/0 | 2/3 | 1/1 | 2/3 | 5/2 | 3/0 | 4/0 | 3/0 | 2/3 | 3/0 | 4/0 | 2/3 | 3/0 | 2/3 | 1/1 | 2/3 |
Week 6 in the practice schedule.
Practise pattern 27Pattern 28
Skips from index to ring finger, then middle finger.
(p) → (i) → (a) → (i) → (m) → (i) → (p) → (i) → (a) → (i) → (m) → (i) → (p) → (i) → (a) → (i) → (m) → (i) → (p) → (i) → (a) → (i) → (m) → (i)
Twenty-four attacks in four groups of six: implied sixteenth-note sextuplets in 4/4. Notes with separate stems sustain as written in the score.
| Chord | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| C | 5/3 | 3/0 | 1/0 | 3/0 | 2/1 | 3/0 | 4/2 | 3/0 | 1/0 | 3/0 | 2/1 | 3/0 | 5/3 | 3/0 | 1/0 | 3/0 | 2/1 | 3/0 | 4/2 | 3/0 | 1/0 | 3/0 | 2/1 | 3/0 |
| G7 | 5/2 | 3/0 | 1/1 | 3/0 | 2/3 | 3/0 | 4/0 | 3/0 | 1/1 | 3/0 | 2/3 | 3/0 | 5/2 | 3/0 | 1/1 | 3/0 | 2/3 | 3/0 | 4/0 | 3/0 | 1/1 | 3/0 | 2/3 | 3/0 |
Week 6 in the practice schedule.
Practise pattern 28Pattern 29
Skips from index to middle finger, then ring finger.
(p) → (i) → (m) → (i) → (a) → (i) → (p) → (i) → (m) → (i) → (a) → (i) → (p) → (i) → (m) → (i) → (a) → (i) → (p) → (i) → (m) → (i) → (a) → (i)
Twenty-four attacks in four groups of six: implied sixteenth-note sextuplets in 4/4. Notes with separate stems sustain as written in the score.
| Chord | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| C | 5/3 | 3/0 | 2/1 | 3/0 | 1/0 | 3/0 | 4/2 | 3/0 | 2/1 | 3/0 | 1/0 | 3/0 | 5/3 | 3/0 | 2/1 | 3/0 | 1/0 | 3/0 | 4/2 | 3/0 | 2/1 | 3/0 | 1/0 | 3/0 |
| G7 | 5/2 | 3/0 | 2/3 | 3/0 | 1/1 | 3/0 | 4/0 | 3/0 | 2/3 | 3/0 | 1/1 | 3/0 | 5/2 | 3/0 | 2/3 | 3/0 | 1/1 | 3/0 | 4/0 | 3/0 | 2/3 | 3/0 | 1/1 | 3/0 |
Week 6 in the practice schedule.
Practise pattern 29Pattern 30
Two different paths with four thumb attacks.
(p) → (i) → (p) → (m) → (i) → (a) → (p) → (a) → (i) → (m) → (p) → (i) → (p) → (i) → (p) → (m) → (i) → (a) → (p) → (a) → (i) → (m) → (p) → (i)
Twenty-four attacks in four groups of six: implied sixteenth-note sextuplets in 4/4. Notes with separate stems sustain as written in the score.
| Chord | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| C | 5/3 | 3/0 | 4/2 | 2/1 | 3/0 | 1/0 | 5/3 | 1/0 | 3/0 | 2/1 | 4/2 | 3/0 | 5/3 | 3/0 | 4/2 | 2/1 | 3/0 | 1/0 | 5/3 | 1/0 | 3/0 | 2/1 | 4/2 | 3/0 |
| G7 | 5/2 | 3/0 | 4/0 | 2/3 | 3/0 | 1/1 | 5/2 | 1/1 | 3/0 | 2/3 | 4/0 | 3/0 | 5/2 | 3/0 | 4/0 | 2/3 | 3/0 | 1/1 | 5/2 | 1/1 | 3/0 | 2/3 | 4/0 | 3/0 |
Week 6 in the practice schedule.
Practise pattern 30Pattern 31
The three fingers ascend, then descend.
(p) → (i) → (m) → (a) → (m) → (i) → (p) → (i) → (m) → (a) → (m) → (i) → (p) → (i) → (m) → (a) → (m) → (i) → (p) → (i) → (m) → (a) → (m) → (i)
Twenty-four attacks in four groups of six: implied sixteenth-note sextuplets in 4/4. Notes with separate stems sustain as written in the score.
| Chord | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| C | 5/3 | 3/0 | 2/1 | 1/0 | 2/1 | 3/0 | 4/2 | 3/0 | 2/1 | 1/0 | 2/1 | 3/0 | 5/3 | 3/0 | 2/1 | 1/0 | 2/1 | 3/0 | 4/2 | 3/0 | 2/1 | 1/0 | 2/1 | 3/0 |
| G7 | 5/2 | 3/0 | 2/3 | 1/1 | 2/3 | 3/0 | 4/0 | 3/0 | 2/3 | 1/1 | 2/3 | 3/0 | 5/2 | 3/0 | 2/3 | 1/1 | 2/3 | 3/0 | 4/0 | 3/0 | 2/3 | 1/1 | 2/3 | 3/0 |
Week 7 in the practice schedule.
Practise pattern 31Pattern 32
The three fingers descend, then ascend.
(p) → (a) → (m) → (i) → (m) → (a) → (p) → (a) → (m) → (i) → (m) → (a) → (p) → (a) → (m) → (i) → (m) → (a) → (p) → (a) → (m) → (i) → (m) → (a)
Twenty-four attacks in four groups of six: implied sixteenth-note sextuplets in 4/4. Notes with separate stems sustain as written in the score.
| Chord | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| C | 5/3 | 1/0 | 2/1 | 3/0 | 2/1 | 1/0 | 4/2 | 1/0 | 2/1 | 3/0 | 2/1 | 1/0 | 5/3 | 1/0 | 2/1 | 3/0 | 2/1 | 1/0 | 4/2 | 1/0 | 2/1 | 3/0 | 2/1 | 1/0 |
| G7 | 5/2 | 1/1 | 2/3 | 3/0 | 2/3 | 1/1 | 4/0 | 1/1 | 2/3 | 3/0 | 2/3 | 1/1 | 5/2 | 1/1 | 2/3 | 3/0 | 2/3 | 1/1 | 4/0 | 1/1 | 2/3 | 3/0 | 2/3 | 1/1 |
Week 7 in the practice schedule.
Practise pattern 32Pattern 33
Two groups of three, with a then m.
(p) → (i) → (a) → (p) → (i) → (m) → (p) → (i) → (a) → (p) → (i) → (m) → (p) → (i) → (a) → (p) → (i) → (m) → (p) → (i) → (a) → (p) → (i) → (m)
Twenty-four attacks in four groups of six: implied sixteenth-note sextuplets in 4/4. Notes with separate stems sustain as written in the score.
| Chord | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| C | 5/3 | 3/0 | 1/0 | 4/2 | 3/0 | 2/1 | 5/3 | 3/0 | 1/0 | 4/2 | 3/0 | 2/1 | 5/3 | 3/0 | 1/0 | 4/2 | 3/0 | 2/1 | 5/3 | 3/0 | 1/0 | 4/2 | 3/0 | 2/1 |
| G7 | 5/2 | 3/0 | 1/1 | 4/0 | 3/0 | 2/3 | 5/2 | 3/0 | 1/1 | 4/0 | 3/0 | 2/3 | 5/2 | 3/0 | 1/1 | 4/0 | 3/0 | 2/3 | 5/2 | 3/0 | 1/1 | 4/0 | 3/0 | 2/3 |
Week 7 in the practice schedule.
Practise pattern 33Pattern 34
Repeated thumb and a shift of the i-m-a group.
(p) → (i) → (p) → (i) → (m) → (a) → (p) → (i) → (p) → (i) → (m) → (a) → (p) → (i) → (p) → (i) → (m) → (a) → (p) → (i) → (p) → (i) → (m) → (a)
Twenty-four attacks in four groups of six: implied sixteenth-note sextuplets in 4/4. Notes with separate stems sustain as written in the score.
| Chord | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| C | 5/3 | 4/2 | 5/3 | 4/2 | 3/0 | 2/1 | 4/2 | 3/0 | 4/2 | 3/0 | 2/1 | 1/0 | 5/3 | 4/2 | 5/3 | 4/2 | 3/0 | 2/1 | 4/2 | 3/0 | 4/2 | 3/0 | 2/1 | 1/0 |
| G7 | 5/2 | 4/0 | 5/2 | 4/0 | 3/0 | 2/3 | 4/0 | 3/0 | 4/0 | 3/0 | 2/3 | 1/1 | 5/2 | 4/0 | 5/2 | 4/0 | 3/0 | 2/3 | 4/0 | 3/0 | 4/0 | 3/0 | 2/3 | 1/1 |
Week 7 in the practice schedule.
Practise pattern 34Pattern 35
Two a-m pairs, then a return to the index finger.
(p) → (a) → (m) → (a) → (m) → (i) → (p) → (a) → (m) → (a) → (m) → (i) → (p) → (a) → (m) → (a) → (m) → (i) → (p) → (a) → (m) → (a) → (m) → (i)
Twenty-four attacks in four groups of six: implied sixteenth-note sextuplets in 4/4. Notes with separate stems sustain as written in the score.
| Chord | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| C | 5/3 | 1/0 | 2/1 | 1/0 | 2/1 | 3/0 | 4/2 | 1/0 | 2/1 | 1/0 | 2/1 | 3/0 | 5/3 | 1/0 | 2/1 | 1/0 | 2/1 | 3/0 | 4/2 | 1/0 | 2/1 | 1/0 | 2/1 | 3/0 |
| G7 | 5/2 | 1/1 | 2/3 | 1/1 | 2/3 | 3/0 | 4/0 | 1/1 | 2/3 | 1/1 | 2/3 | 3/0 | 5/2 | 1/1 | 2/3 | 1/1 | 2/3 | 3/0 | 4/0 | 1/1 | 2/3 | 1/1 | 2/3 | 3/0 |
Week 7 in the practice schedule.
Practise pattern 35Pattern 36
Treble note with the first bass.
(p+m) → (i) → (p) → (i) → (p+m) → (i) → (p) → (i) → (p+m) → (i) → (p) → (i) → (p+m) → (i) → (p) → (i)
Sixteen attacks in four groups of four sixteenth notes, in 4/4. Notes with separate stems sustain as written in the score.
| Chord | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| C | 5/3 + 1/0 | 3/0 | 4/2 | 3/0 | 5/3 + 1/0 | 3/0 | 4/2 | 3/0 | 5/3 + 1/0 | 3/0 | 4/2 | 3/0 | 5/3 + 1/0 | 3/0 | 4/2 | 3/0 |
| G7 | 5/2 + 1/1 | 3/0 | 4/0 | 3/0 | 5/2 + 1/1 | 3/0 | 4/0 | 3/0 | 5/2 + 1/1 | 3/0 | 4/0 | 3/0 | 5/2 + 1/1 | 3/0 | 4/0 | 3/0 |
Week 8 in the practice schedule.
Practise pattern 36Pattern 37
Treble note with the first index attack.
(p) → (i+m) → (p) → (i) → (p) → (i+m) → (p) → (i) → (p) → (i+m) → (p) → (i) → (p) → (i+m) → (p) → (i)
Sixteen attacks in four groups of four sixteenth notes, in 4/4. Notes with separate stems sustain as written in the score.
| Chord | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| C | 5/3 | 3/0 + 1/0 | 4/2 | 3/0 | 5/3 | 3/0 + 1/0 | 4/2 | 3/0 | 5/3 | 3/0 + 1/0 | 4/2 | 3/0 | 5/3 | 3/0 + 1/0 | 4/2 | 3/0 |
| G7 | 5/2 | 3/0 + 1/1 | 4/0 | 3/0 | 5/2 | 3/0 + 1/1 | 4/0 | 3/0 | 5/2 | 3/0 + 1/1 | 4/0 | 3/0 | 5/2 | 3/0 + 1/1 | 4/0 | 3/0 |
Week 8 in the practice schedule.
Practise pattern 37Pattern 38
Treble note with the second bass.
(p) → (i) → (p+m) → (i) → (p) → (i) → (p+m) → (i) → (p) → (i) → (p+m) → (i) → (p) → (i) → (p+m) → (i)
Sixteen attacks in four groups of four sixteenth notes, in 4/4. Notes with separate stems sustain as written in the score.
| Chord | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| C | 5/3 | 3/0 | 4/2 + 1/0 | 3/0 | 5/3 | 3/0 | 4/2 + 1/0 | 3/0 | 5/3 | 3/0 | 4/2 + 1/0 | 3/0 | 5/3 | 3/0 | 4/2 + 1/0 | 3/0 |
| G7 | 5/2 | 3/0 | 4/0 + 1/1 | 3/0 | 5/2 | 3/0 | 4/0 + 1/1 | 3/0 | 5/2 | 3/0 | 4/0 + 1/1 | 3/0 | 5/2 | 3/0 | 4/0 + 1/1 | 3/0 |
Week 8 in the practice schedule.
Practise pattern 38Pattern 39
Treble note with the second index attack.
(p) → (i) → (p) → (i+m) → (p) → (i) → (p) → (i+m) → (p) → (i) → (p) → (i+m) → (p) → (i) → (p) → (i+m)
Sixteen attacks in four groups of four sixteenth notes, in 4/4. Notes with separate stems sustain as written in the score.
| Chord | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| C | 5/3 | 3/0 | 4/2 | 3/0 + 1/0 | 5/3 | 3/0 | 4/2 | 3/0 + 1/0 | 5/3 | 3/0 | 4/2 | 3/0 + 1/0 | 5/3 | 3/0 | 4/2 | 3/0 + 1/0 |
| G7 | 5/2 | 3/0 | 4/0 | 3/0 + 1/1 | 5/2 | 3/0 | 4/0 | 3/0 + 1/1 | 5/2 | 3/0 | 4/0 | 3/0 + 1/1 | 5/2 | 3/0 | 4/0 | 3/0 + 1/1 |
Week 8 in the practice schedule.
Practise pattern 39Pattern 40
Two successive middle-finger attacks on the same string.
(p+m) → (i+m) → (p) → (i) → (p+m) → (i+m) → (p) → (i) → (p+m) → (i+m) → (p) → (i) → (p+m) → (i+m) → (p) → (i)
Sixteen attacks in four groups of four sixteenth notes, in 4/4. Notes with separate stems sustain as written in the score.
| Chord | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| C | 5/3 + 1/0 | 3/0 + 1/0 | 4/2 | 3/0 | 5/3 + 1/0 | 3/0 + 1/0 | 4/2 | 3/0 | 5/3 + 1/0 | 3/0 + 1/0 | 4/2 | 3/0 | 5/3 + 1/0 | 3/0 + 1/0 | 4/2 | 3/0 |
| G7 | 5/2 + 1/1 | 3/0 + 1/1 | 4/0 | 3/0 | 5/2 + 1/1 | 3/0 + 1/1 | 4/0 | 3/0 | 5/2 + 1/1 | 3/0 + 1/1 | 4/0 | 3/0 | 5/2 + 1/1 | 3/0 + 1/1 | 4/0 | 3/0 |
Week 8 in the practice schedule.
Practise pattern 40