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Level 3 · Classical technique · 20 min

The p-a-m-i tremolo

By the end you can sustain a line of three repeated sounds above a thumb bass.

The right hand curves over the strings at the soundhole.
Relaxed wrist · Credits

Before this lesson

Lesson steps

1 Start on four strings

Separate the four fingers onto the four marked strings.

4 min · Quarter note = 44, 1 note per click

Start on four strings
Complete tablature · Start on four strings

Check for · All four attacks have the same duration and volume.

More detail

Use the thumb on string 4, then a, m and i on strings 1, 2 and 3 respectively.

2 Bring the fingers onto one string

Bring a-m-i onto the first string after the bass.

4 min · Quarter note = 44, 1 note per click

Bring the fingers onto one string
Complete tablature · Bring the fingers onto one string

Check for · No attack rushes or disappears.

More detail

Let the bass ring under the three attacks. Divide each block into short trials.

3 Prepare each attack

Prepare each finger near the string just before its attack.

4 min · Quarter note = 44, 1 note per click

Revisit the tablature · Step 2

Check for · The movement stays relaxed and the attacks are even.

More detail

Planting can shorten the preceding note; use this as a movement exercise, then recover continuity.

4 Move the accent

Move the long duration from p to a, then to m and i.

4 min · Quarter note = 44, 1 note per click

Move the accent
Complete tablature · Move the accent

Check for · You can change the accent deliberately without tensing up.

More detail

These variations address unevenness; return to a steady rhythm afterwards.

5 Bring the fingers onto one string

Record eight even groups on a single treble string.

4 min · Quarter note = 48, 1 note per click

Revisit the tablature · Step 2

Check for · No attack rushes or disappears.

More detail

Listen to the gap between i and the next thumb: it equals the gaps between the other attacks.

You can move on when…

You pass when eight p-a-m-i groups keep the tempo without unwanted accents.

If a movement feels difficult

The rhythm is uneven.

Play the four strings slowly again and make the four attacks even.

The thumb overpowers the repeated notes.

Lighten p until it matches the volume of the other attacks.

What to practise next

Sources

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