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Study · Dionisio Aguado

Aguado — Nuevo método, lesson 11: guitar tab and practice guide

Level 2/5 in our learning path24 written barsPractice reference: 48 bpmSuggested work: 10–20 minutes per passage

A short lesson in C major for holding a bass note while the melody continues. This independence prepares you directly for Tárrega's separate voices. Play the 24 bars once, without repeats. The app's practice tempo is 48 quarter notes per minute.

Skills to prepare

  • Melody and sustained bass notes

Before learning the piece

  • App checkpoint: play eight even p-i pairs on two open strings, three times without tension. Practise this skill.
  • App checkpoint: bring out a treble note above a softer bass, five times in a row. Practise this skill.

These checkpoints belong to our learning path. They do not set a deadline for your progress.

Tablature and fingerings

The six lines represent the strings, with high E at the top. Numbers show frets; 0 means an open string. The letters p, i, m and a indicate right-hand fingers.

Aguado — Nuevo método, lesson 11: tab preview with strings, frets and fingerings
Preview of the first two bars. The complete version has 24 written bars.

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Your phrase-by-phrase plan

Work on a short passage. Aim for five clean attempts in a row, then connect two phrases. Bar numbers follow our transcription, including a separately numbered pickup where applicable.

Phrase 1 · bars 1–2

Keep the melody just as clear when it moves from string 4 to string 3.

Phrase 2 · bars 3–4

Let the last note of each pattern finish before the next one.

Phrase 3 · bars 5–6

In bar 5, hold the bass at fret 3 on string 5 for the whole bar.

Phrase 4 · bars 7–8

Bring out the melody above the bass in bars 7–8.

Phrase 5 · bars 9–10

Keep the melody even through the four G attacks in bar 9.

Phrase 6 · bars 11–12

Keep the same tone when the melody reaches string 2 in bar 12.

Phrase 7 · bars 13–14

In bar 14, let the open bass ring under the three melody notes.

Phrase 8 · bars 15–16

Keep the bass notes in bars 15–16 sounding until the end of their bar.

Phrase 9 · bars 17–18

In bar 18, hold F at fret 3 on string 4 under the high D.

Phrase 10 · bars 19–20

In bar 20, hold E at fret 2 on string 4 under the high C.

Phrase 11 · bars 21–22

In bar 22, hold F at fret 3 on string 4 as the low bass enters.

Phrase 12 · bars 23–24

Let the three final notes sound together until the rest.

Watch and listen

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Lesson · This is Classical Guitar

Before the study, review finger tone production; this general video does not teach Aguado's lesson.

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Sources and transcription choices

The notes follow the credited sources. Fingerings, phrase divisions and practice tempos are editorial learning choices. How our transcriptions work.

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