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Week 3 · 12 min

Set the melody above low D

By the end, you can play the two voices of Endecha at different volumes.

Bring out one voice · Start at the circled note
Start at the circled note · Full tablature

Before this lesson

Lesson steps

1 Bring out one voice

Bring out the bass played by the thumb in the p-i-m-a-m-i arpeggio.

3 min · 44 bpm · 1 note per click

Bring out one voice
Complete tablature · Bring out one voice

Check for · 2 bars at 52 BPM — the bass stands out above the five remaining notes of each arpeggio.

More detail

Listen first to the bass alone, then to all six notes in sequence. Keep the quieter upper notes distinct.

2 The ring-finger voice

Bring out the upper note played by the ring finger without speeding up the arpeggio.

3 min · 44 bpm · 1 note per click

The ring-finger voice
Complete tablature · The ring-finger voice

Check for · 2 bars at 52 BPM — The upper note stands out each time a plays.

More detail

Compare the ring-finger note with the notes before and after it. Keep the thumb in the background.

3 The D beneath the melody

Tune string 6 to D and let it ring throughout the first bar of the excerpt.

3 min · 40 bpm · 1 note per click

The D beneath the melody
Complete tablature · The D beneath the melody

Check for · 2 bars at 48 BPM — D is audible below the three melody attacks in bar 3.

More detail

The melody is on string 3. The bass and the first melody note start together.

4 The D beneath the melody

Tune string 6 to D and let it ring throughout the first bar of the excerpt.

3 min · 44 bpm · 1 note per click

Revisit the tablature · Step 3

Check for · 2 bars at 52 BPM — D is audible below the three melody attacks in bar 3.

More detail

The melody is on string 3. The bass and the first melody note start together.

You can move on when…

You pass when, over 2 bars at 52 BPM, d is audible below the three melody attacks in bar 3.

If a movement feels difficult

The crescendo speeds up.

Keep the three eighth notes evenly spaced through the ascent.

The bass masks the peak.

Replay the peak with a lighter bass.

What to practise next

Sources