Week 3 · 12 min
Set the melody above low D
By the end, you can play the two voices of Endecha at different volumes.
Before this lesson
Lesson steps
1 Bring out one voice
Bring out the bass played by the thumb in the p-i-m-a-m-i arpeggio.
3 min · 44 bpm · 1 note per click
Check for · 2 bars at 52 BPM — the bass stands out above the five remaining notes of each arpeggio.
More detail
Listen first to the bass alone, then to all six notes in sequence. Keep the quieter upper notes distinct.
2 The ring-finger voice
Bring out the upper note played by the ring finger without speeding up the arpeggio.
3 min · 44 bpm · 1 note per click
Check for · 2 bars at 52 BPM — The upper note stands out each time a plays.
More detail
Compare the ring-finger note with the notes before and after it. Keep the thumb in the background.
3 The D beneath the melody
Tune string 6 to D and let it ring throughout the first bar of the excerpt.
3 min · 40 bpm · 1 note per click
Check for · 2 bars at 48 BPM — D is audible below the three melody attacks in bar 3.
More detail
The melody is on string 3. The bass and the first melody note start together.
4 The D beneath the melody
Tune string 6 to D and let it ring throughout the first bar of the excerpt.
3 min · 44 bpm · 1 note per click
Revisit the tablature · Step 3
Check for · 2 bars at 52 BPM — D is audible below the three melody attacks in bar 3.
More detail
The melody is on string 3. The bass and the first melody note start together.
You can move on when…
You pass when, over 2 bars at 52 BPM, d is audible below the three melody attacks in bar 3.
If a movement feels difficult
The crescendo speeds up.
Keep the three eighth notes evenly spaced through the ascent.
The bass masks the peak.
Replay the peak with a lighter bass.
What to practise next
Sources
- Werner — Tone production
- McAllister / Siccas — Filing your nails
- Sage Music — Nail shaping
- Classical Guitar Corner — 7 exercises
- Werner — Right-hand planting
- Tárrega — Endecha y Oremus, Alier 5520; Gaylord Music Library, public domain
- Bradford Werner — Right Hand Position Lesson
- Classical Guitar Corner — Dynamics on the Classical Guitar
- Classical Guitar Corner — Rubato in Classical Guitar Music
- Fernando Sor — 24 exercices très faciles, op. 35 nº 2, Boije 481, p. 2