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Week 4 · 12 min

Six attacks per beat

By the end, you can fit six attacks within a click in patterns 25–35.

Giuliani 21–24 · Start at the circled note
Start at the circled note · Full tablature

Before this lesson

Lesson steps

1 Giuliani 21–24

Practise one pattern from 21–24 on C and then on G7.

3 min · 40 bpm · 3 notes per click

Giuliani 21–24
Complete tablature · Giuliani 21–24

Check for · 2 bars at 48 BPM — Each beat contains 3 attacks on both chords.

More detail

In no. 21, the first beat reads p+m+a · p+m+a · i. A plus sign joins simultaneous fingers. Move to the next number after two clean bars.

2 Giuliani 25–29

Practise one pattern from 25–29 on C and then on G7.

3 min · 40 bpm · 1 note per click

Giuliani 25–29
Complete tablature · Giuliani 25–29

Check for · 2 bars at 40 BPM — Each beat contains 6 attacks on both chords.

More detail

Return to 40 BPM as you move from three attacks per beat to six. In no. 25, count p-i-m then i-p-i within the same main beat.

3 Giuliani 30–35

Practise one pattern from 30–35 on C and then on G7.

3 min · 40 bpm · 1 note per click

Giuliani 30–35
Complete tablature · Giuliani 30–35

Check for · 2 bars at 40 BPM — Each beat contains 6 attacks on both chords.

More detail

In no. 30 play p-i-p then m-i-a within a single beat. The metronome marks the beat. After two clean bars, try the next number.

4 Giuliani 30–35

Practise one pattern from 30–35 on C and then on G7.

3 min · 40 bpm · 1 note per click

Revisit the tablature · Step 3

Check for · 2 bars at 44 BPM — Each beat contains 6 attacks on both chords.

More detail

In no. 30, the first beat reads p · i · p · m · i · a. A plus sign joins simultaneous fingers. Move to the next number after two clean bars.

You can move on when…

You pass when, over 2 bars at 44 BPM, each beat contains 6 attacks on both chords.

If a movement feels difficult

The bass overpowers the fingers.

Soften the thumb; play the notes together again without forcing the fingers.

Planting cuts the notes short.

Plant the next finger more gently and a little later; listen to the end of each note.

What to practise next

Sources