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Tárrega — Prelude in D major (No.10): guitar tab and practice guide

Level 3/5 in our learning path8 written barsPractice reference: 48 bpmSuggested work: 10–20 minutes per passage

Eight bars in D major for keeping a flexible melody above bass support. No.10 is the number on the Alier sheet; this piece also appeared as No.14 in La Guitarra, 1925. The triplets fill two beats per bar; the last bar ends with a quarter rest. The app adds a practice tempo of 48 quarter notes per minute and the dynamic p.

Skills to prepare

  • Melody in triplets
  • Barres and position shifts
  • Slurs and bass voices

Before learning the piece

  • App checkpoint: keep the melody prominent through two softer bass notes, five times. Practise this skill.
  • App checkpoint: move a small barre between two positions without squeezing the thumb, five times. Practise this skill.
  • App checkpoint: play five slurred pairs with one attack per pair and an even volume. Practise this skill.

These checkpoints belong to our learning path. They do not set a deadline for your progress.

Tablature and fingerings

The six lines represent the strings, with high E at the top. Numbers show frets; 0 means an open string. The letters p, i, m and a indicate right-hand fingers.

Tárrega — Prelude in D major (No.10): tab preview with strings, frets and fingerings
Preview of the first two bars. The complete version has 8 written bars.

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Your phrase-by-phrase plan

Work on a short passage. Aim for five clean attempts in a row, then connect two phrases. Bar numbers follow our transcription, including a separately numbered pickup where applicable.

Phrase 1 · bars 1–2

Count three equal notes on each beat, even during shifts.

Phrase 2 · bars 3–4

At the end of bar 4, slur A to C on string 3.

Phrase 3 · bars 5–6

Place the bass notes without making their accompanying chords harsh.

Phrase 4 · bars 7–8

In bar 7, connect A and G with two gentle attacks on their respective strings.

Watch and listen

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Lesson · This is Classical Guitar

General video: review a gentle attack and a clear melody; this lesson does not teach this prelude.

English commentary. Link and metadata checked for our selection.

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Sources and transcription choices

The notes follow the credited sources. Fingerings, phrase divisions and practice tempos are editorial learning choices. How our transcriptions work.

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